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Directed by |
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Starring |
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Specs |
- Widescreen 2.35:1
- 16:9 Enhanced
- THX
- Dual Layer (RSDL 60.49)
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Languages |
- English: Dolby Digital 5.1 Surround
- English: Dolby Digital Surround
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Subtitles |
English - Hearing Impaired, Danish, Swedish, Norwegian, Finnish |
Extras |
- 2 Teaser trailer
- 1 Theatrical trailer
- Audio commentary - Warwick Davis
- Photo gallery
- Animated menus
- 8 TV spot
- 2 Awards/Nominations
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Willow: SE |
20th Century Fox/20th Century Fox .
R4 . COLOR . 121 mins .
PG . PAL |
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It might seem like a preposterous idea now, but back in 1988, George Lucas seemed invulnerable. Flushed with success from his Star Wars trilogy and the Indiana Jones films, he had survived the rather spectacular failure of Howard The Duck with his reputation as a spinner of mystical tales reasonably intact. Of course, audiences were keen to see where Lucas’s imagination would lead them next; with new Star Wars movies out of the question at the time, though, Lucas turned to a story idea he’d had some time before. By the time Willow was released, it was to most people “the new George Lucas movie”, even though Ron Howard’s name was on the credits as the director. That Willow was something of a turning point for George Lucas isn’t really all that surprising in hindsight. Sure, the Star Wars films had been huge hits with adult audiences, but by Return Of The Jedi the temptation to appeal to youngsters was proving too irresistible. Willow took that to new heights - it’s essentially a kid’s adventure movie with a few things thrown in to appease older audiences, an attempt to do Disney on a gigantic scale. It only partly succeeded; this writer remembers seeing a first-week screening of the film in the US, with an audience comprised entirely of adults who had likely been intrigued by the deliberately vague advertising campaign. The discontented muttering after the movie finished was palpable; what we’d seen was essentially a rewrite of Star Wars with some (at the time) eye-popping visual effects and very little in the way of character resonance. Today, Willow is rarely seen or spoken about, though it does have its legion of fans. And as popcorn entertainment it holds up surprisingly well; George Lucas’ stamp is all over the thing, of course (check out those Star Wars-style scene transitions!), and it’s kept moving at a fairly cracking pace despite the two-hour length. But as fantasy, this isn’t likely to excite anyone over the age of ten. The story involves a “little person” named Willow (Warwick Davis), who lives in a village of little people and dreams of being a sorcerer, to no avail. One day, though, a full-sized human baby turns up floating down the river (hand me that bible, cheers) and Willow, as the person that found it, is given the task of finding a “big person” to hand it over to. Early in his journey he runs into disgraced warrior Madmartigan (Val Kilmer) who ends up accompanying him on his journey, a quest which takes on new meaning when it’s revealed to Willow that the baby is, in fact, a VIP who can save the world from - yes, you guessed it - the scourge of evil. In this case the evil is named Bavmorda, and her daughter Sorsha (Joanne Whalley; she met future husband Val on this picture) has been assigned the task of getting the baby off Willow and definitely not falling in love with Madmartigan. Also along for the ride are a pair of miniature “brownies”, who sport ludicrous French accents and are almost certainly modelled on the castle-defending French soldiers from Monty Python And The Holy Grail. It’s all a bit by-the-numbers, which is probably intentional; the problem with Willow, though, is that it tries to be all things to all people - simple and fun for the kids, knowing and cheeky for the adults, reverently rustic for the fantasy fans and gee-whiz spectacular for the ILM trainspotters. And as such, it offers something for everyone but can’t decide which audience it’s aiming itself at. It’s a problem Lucas is still trying to overcome (see The Phantom Menace for details!) but viewed without the hype with which it was launched, Willow is a bit of harmless fun with some rather cheesy special effects strewn throughout (they were groundbreaking at the time, but that was a lifetime ago). Val Kilmer is enormously good fun and seems to be enjoying himself, while the rest of the cast acquit themselves well, but you probably won’t be watching this for the acting. It is, though, the closest thing to the original Star Wars that you’re likely to see on DVD for the forseeable future. Just do a bit of character substitution and you’ll feel right at home...!
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Not at all surprisingly, Lucasfilm has lavished an enormous amount of attention on the video transfer for Willow, and this 16:9 enhanced 2.35:1 version of the film looks absolutely spectacular, showing off Adrian Biddle’s marvellous cinematography perfectly. The photographic style for this film is quite interesting - there are scenes here that are rather unusually dimly-lit, and it takes a while to get used to the idea that it’s actually supposed to look like this. But that’s the intended style; the darker scenes still have plenty of detail and a wide tonal range, and convey atmosphere wonderfully. Detail is spot-on throughout and there’s only the barest hint of edge enhancement at times; this is a rich, pristine image taken from a very good source. Pedants will spot a handful of brief vertical scratches on the negative; we wouldn’t have even noticed them if we weren’t looking hard for flaws. Many of the effects shots do look painfully obvious on DVD, where the changes in detail level and colour fidelity caused by the extensive optical work occasionally gives the game away all too readily. But this is how the film looked on its release; it’s amazing how spoilt we’ve become by modern digital effects, forgetting how mind-bogglingly good all this stuff used to look. The layer change, half way through the movie, is well placed and one of the fastest-negotiated we’ve seen to date.
Audio |
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In 1988, Lucasfilm’s THX quality program was starting to pick up steam and innovations were happening on a regular basis in the company’s mixing studios. With Willow, the benefits of the extreme quality control Lucasfilm was applying to film soundtracks at the time are now paying off handsomely; this sound mix is not only the equal of anything being done today, it’s in many ways better. Willow was released in some US cinemas on 70mm prints with six-track magnetic audio, and this Dolby Digital 5.1 soundtrack is almost certainly that very same six-track mix. Honed to perfection by innovators Ben Burtt, Gary Summers and Shawn Murphy, it’s a mix that’s constantly active across the three front channels, with dialogue and effects crisp and clear without annoying levels of hiss getting in the way. The stereo surrounds are used extensively throughout for ambience as well as discreet localised sound effects, and the result is a hugely involving sound mix that is still truly state of the art 14 years on. Note that while an LFE track is encoded here, it is pretty much unused for the entire duration of the film; there are a couple of occasions where it burps slightly, and these seem more accidental than anything else. Essentially, this is a 5.0 mix. James Horner’s music score may be immensely derivative - it shamelessly plunders Mahler’s repertoire and even pinches melodies from John Williams’ Star Wars score on one occasion!) but it’s certainly well recorded; not surprisingly, this is the work of Shawn Murphy, who is peerless when it comes to the art of mixing an orchestral score for the cinema. Fidelity is excellent throughout. A Dolby Surround audio track is provided as well for those who need it; it’s of fine quality also.
Extras |
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Overall |
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Regardless of what you think of Willow (or, err, what you think you think), it’s great to see it being treated to such a terrific remastering for DVD, and it’ll undoubtedly find a new audience because of it. The extras might be a little lacklustre, but an excellent commentary makes the lack of substance elsewhere almost forgivable.
LINK: http://www.dvd.net.au/review.cgi?review_id=1708
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And I quote... |
"...a bit of harmless fun with some rather cheesy special effects strewn throughout" - Anthony Horan |
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Review Equipment |
- DVD Player:
Sony DVP-NS300
- TV:
Panasonic - The One
- Receiver:
Sony STR-DB870
- Speakers:
Klipsch Tangent 500
- Centre Speaker:
Panasonic
- Surrounds:
Jamo
- Audio Cables:
Standard Optical
- Video Cables:
Monster s-video
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