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Directed by |
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Starring |
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Specs |
- Widescreen 1.85:1
- 16:9 Enhanced
- Dual Layer (RSDL )
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Languages |
- English: Dolby Digital 5.1 Surround
- English: DTS 5.1 Surround
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Subtitles |
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Extras |
- 4 Deleted scenes
- Theatrical trailer
- 2 Featurette
- 4 Photo gallery
- Animated menus
- Awards/Nominations
- 1 Storyboards
- Outtakes
- DTS trailer
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Back to the Future Part II |
Universal/Universal .
R4 . COLOR . 104 mins .
PG . PAL |
Feature |
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Contract |
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Following hot on the heels of the first episode in the Back to the Future trilogy, at least story-wise (for as cinemagoers we had to wait four years), having set up the whole time travel device already this second instalment wastes no time getting into the whole wayback machine (or perhaps wayforward machine would be more apt in this case?) action, taking up pretty much exactly from where we left Marty, Doc Brown and Jennifer. After certain revelations at the end of the first film, certain characters hop into a certain souped up time machine and jump forward to a certain time in the future, in order to prevent certain potentially catastrophic events occurring. Duly done, it’s time for said certain characters to hop back to a certain present-type time, however it seems a certain something is certainly not quite right – REALLY not quite right at all. "Obviously the time continuum has been disrupted, creating this new temporal event sequence resulting in this alternate reality." |
What certain thing could these certain characters have done to muck up the past? Or was it actually nothing to do with these certain characters, but rather another certain character? So now it’s time for certain characters to travel back to another certain time to attempt to prevent a certain unexpected certain event from certainly happening. Right. If any email is received accusing me of divulging spoilers, the sender will get a mighty tirade in return, OK?! As alluded to earlier, it took a few years, but most of the original Back to the Future team reconvened to finally set the wheels of the almost inevitable sequel wagon into action (Jennifer inexplicably changed, as did George McFly if you’re eagle eyed enough to spot the one scene this impostor appears in). Some may feel that these wheels start off a little wobbly, as things kick off at such an alarming pace that it’s almost a case of sensory overload, however things do settle down to a less brain-frying, less paradoxical pace after a while and we’re delivered a fantastic follow-up feature, complete with some incredible work in recreating scenes from the first film and adding a whole new dimension to them. Future scenes are packed with sci-fi references for train – erm – spacecraft spotters (the railroad lovers will have to wait until the third instalment) as well as many great faux-retro ‘80s references (for it’s an ‘80s film of course – confused yet?) which are all the more enjoyable now that some time has passed (and a big “YAY!” for the M-M-M-Max Headroom nods). Did we really wear stuff like that? Did we really do THAT to our hair? Did we REALLY buy Huey Lewis records?!
Video |
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Contract |
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After the amazing quality the first film in the series spoiled us with on DVD, you’d be forgiven for thinking that things surely couldn’t get any better – but amazingly they have. With a somewhat newer film to work from, the 1.85:1 anamorphically enhanced transfer bestowed upon Back to the Future II is even better than the first, exhibiting slightly better colour, and even less in the way of grain, shimmering and aliasing type gremmies than the first film served up – and there were precious few worthy of mention in that anyway. Oh, before anybody gets all techie on my bottom, the only exception to this is some footage that’s shown from the flick A Fist Full of Dollars, OK? Otherwise, the sharpness and detail are exemplary, delivering the film to us with a clarity that is beyond what any of us could have ever dreamed of. Really the only negative comment that could be made is in relation to the layer change, which occurs mid-scene. Although it’s basically a static shot, the audio is affected momentarily, however to put it in perspective, most layer changes on most other discs are more noticeable than this.
Audio |
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Contract |
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Forget the original cinematic Dolby Stereo mix, for once again it has been thrown out with the bathwater, in favour of lovingly remixed Dolby Digital 5.1 and DTS 5.1 mixes. Purists may start flapping their arms wildly in objection upon reading this, however in writing this I have one advantage – I’ve actually heard it (heehee, nyahh nyahh!), and a sensational job has been done. Rather than going nuts throwing this sound out there and that sound over here, sensibly it’s all been done rather subtly – but unquestioningly effectively – to deliver a delightfully immersive experience for the second instalment of the trilogy. There are some nice rear effects at times, and the subwoofwoof gets the odd chance to strut its stuff in a way to please its master (or, as the case may be, mistress!) – sometimes bolstering certain effects, other times adding a little oomph to the score... Once again Alan Silvestri was called in for musical duties, and once again he came up with a score that suits the film perfectly, adding much to the whole BTTF experience. Once again this is bolstered by the odd pop song, a certain Beat It by a certain Michael Jackson being one prominent example. You’d be hard pressed to notice any synch problems – unless you glue your nose to the screen and spot the occasional line that was obviously dubbed in later, and nobody should have problems understanding anything as a perfect balance has been achieved between dialogue, effects and music.
Extras |
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Contract |
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Overall |
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Contract |
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When the weakest episode in a series of three films is as enjoyable as this, you simply can’t lose. And when it’s delivered with such exemplary quality in the video and audio departments, you only have cause to be absolutely elated. AND when you can score this and the two other films in one funky box (well, that’s an assumption, the piccies look impressive but we weren’t actually given one – humph!) for the bargain suggested retail of $59.95 then this is one of those no-brainer decisions – if you’re a Back to the Future fan then you have a lot to get excited about.
LINK: http://www.dvd.net.au/review.cgi?review_id=1786
Send to a friend.
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And I quote... |
"When the weakest episode in a series of three films is as enjoyable as this, you simply can’t lose..." - Amy Flower |
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Review Equipment |
- DVD Player:
Pioneer DV-535
- TV:
Sony 68cm
- Receiver:
Onkyo TX-DS494
- Speakers:
DB Dynamics Eclipse RBS662
- Centre Speaker:
DB Dynamics Eclipse ECC442
- Surrounds:
DB Dynamics Eclipse ECR042
- Subwoofer:
DTX Digital 4.8
- Audio Cables:
Standard RCA
- Video Cables:
Standard Component RCA
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