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Directed by |
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Starring |
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Specs |
- Widescreen 1.85:1
- 16:9 Enhanced
- Dual Layer (RSDL )
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Languages |
- English: Dolby Digital 5.1 Surround
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Subtitles |
English, Dutch, English - Hearing Impaired, Hindi |
Extras |
- Teaser trailer
- Theatrical trailer
- 2 Audio commentary
- Featurette
- Photo gallery
- Animated menus
- 2 Music video - Hero - Chad Kroeger & Josey Scott; What We're All About - Sum 41
- Behind the scenes footage
- TV spot
- DVD-ROM features
- Storyboards
- Documentaries
- Web access
- Outtakes
- Filmographies
- Interactive game
- Trivia track
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Spider-Man: CE |
Columbia Pictures/Sony Pictures Home Entertainment .
R4 . COLOR . 116 mins .
M15+ . PAL |
Feature |
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Contract |
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Fans of possibly Marvel Comics’ most beloved character certainly had an arduous wait for the movie version. First mooted almost 20 years ago, it fell afoul of all manner of rights issues and other problems, until finally gaining that much sought after Hollywood green light a few years back. Then came phase two – being so important to so many, how would it be received? With an incredibly successful screenwriter in David Koepp involved, and cult director Sam Raimi directing traffic, signs were good – although many questioned the decision to cast the rather scrawny Tobey Maguire in the lead role. It’s all academic now though, Spider-Man opened to record crowds and has gone on to become one of the highest grossing films ever – and it also managed to satisfy most fans’ visions of how good old Spidey should appear on the big silver screen. Most will have a vague idea of the setup, as it stays fairly true to the Spider-Man universe set up in the comic books and television series’. Peter Parker is based in New York where he lives with his Aunt May and Uncle Ben, his not-so-secret crush Mary Jane is the girl next door and he’s the downtrodden outsider at school whose only friend is Harry, the son of the somewhat wealthy and powerful Norman Osborn. After being bitten by a genetically modified spider on a school excursion, Pete arrives home feeling somewhat the worse for wear. Worrying his loving carers, he makes a beeline for his room and promptly crashes. Come the next morning he awakes to discover he’s feeling in tip-top shape, although his hands are somewhat sticky. Oh well, he’s certainly not the first teenage boy to wake up with that problem... As the day goes on Peter discovers more and more curious changes. He’s suddenly rather buff, has no need for his glasses, is oozing more sticky stuff all over the place and then there’s a little thing of beating seven shades of shite out of the school bully - who just so happens to be Mary Jane's boyfriend/meathead. But that’s nothing, when he realises he can climb walls and swing all over town in ways Austin Powers could only dream of, his mind starts boggling at the possibilities... "You're not Superman you know!" |
Harnessing his newly-acquired abilities, and keeping in mind his Uncle’s advice that “with great power comes great responsibility", Peter gets the all important requirement of a costume out of the way (quite spectacularly in the end) and sets about being an all round swell guy, protecting the innocent and becoming the nemesis of bad guys all over New York. But with his mystery comes suspicion, not helped at all by the Daily Bugle newspaper. Popularity contests are the least of his troubles, however, as he’s eventually confronted by the rather nasty masked meanie the Green Goblin, who as well as having quite the wicked way with exploding pumpkin bombs, goes all out to make things all the more personal between himself and Spidey... Spider-Man deftly balances the story of how Peter Parker’s powers came about with plenty of out and out action, a bit of pathos and even a love story that doesn't induce retching. In the end, Maguire does a great job in bringing the rather dorky Peter to the screen, even if Willem Dafoe’s Jekyll and Hyde-like Norman Osborn/Green Goblin truly steals the show. The effects may often be a little video-game like – Spidey has a tendency to move more like Super Mario than an actual human at times, and the story is undoubtedly ultra-hokey in places, but what many who criticise the film for these reasons seem to be missing is that in the end this is a classic comic book story. When taken in this context it really is a fabulous two-hour thrill ride that should have everybody’s senses tingling.
Video |
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Contract |
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With the Sony DVD Center’s reputation for performing minor and major miracles, it’s not unfair to expect that they would have gone to town on Spider-Man, especially considering it’s Columbia’s biggest release for the year. The result for the 1.85:1, 16:9 enhanced presentation is good, but rather surprisingly it’s just not quite as spectacular as we might have expected. That which we assume we’ll get with a brand new transfer of an essentially brand new film is mostly here – both colour and black rendering is exceptional, detail is also fabulous, especially in the many dark scenes the film throws up and yes, shadow detail is mercifully here in spades. So what’s the problem then? Well, surprisingly there are quite a few little blemishes throughout in the shape of always fleeting, but not necessarily tiny, white specks, which really is a surprise. There are also one or two ever-so minor instances of aliasing, but these are scarcely worth mentioning. No compression artefacts are obvious, and the layer change is reasonably well placed, although conspicuous due to a cut in the sound which accompanies it.
Audio |
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Contract |
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Some Dolby Digital 5.1 mixes tease but never deliver, while others seem to be hell bent on knocking our socks off. Joy of joys, Spider-Man’s audio is most definitely from the latter school. Surround usage is immersive, imaginative and indubitably impressive – not content with simply popping a bit of soundtrack residue in the rears as so many mixes do, bits and pieces of important action bump heads with both subtle and decidedly obvious ambience at the rear of the room, whilst the subwoofwoof gets to go quite feral at times, with a whole lotta low end oomphy thumps goin’ on throughout the feature. The front soundstage doesn’t miss out at all, with just as much imagination lavished upon the perfectly synched audio, which all comes from where it should at all times. If you didn’t know it beforehand, about two seconds into the film most would become well and truly aware of who supplied the score for Spider-Man, as an unmistakably Danny Elfman-ish score arcs up. Those strings, those choirs – it may not be the most original, but its epic feel and slight gothiness suits the film to a tee, even giving a suitable gravitas to proceedings at times that manages to stop some of the more hokey scenes from plummeting into abject silliness. There are also a few rather un-noteworthy soundtrack fodder songs interspersed throughout, and a pleasant surprise in the inclusion of the quite wonderful theme from the ‘70s cartoon series of Spider-Man that plays over the end credits.
Extras |
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Contract |
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Overall |
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Contract |
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Is it good? Listen bud, this DVD, it ain't no dud... If you’ve been hanging out for this release then rest assured, the amazingly packed two disc set won’t let you down. With close to perfect vision, truly awesome audio and an absolutely massive assortment of extras, Spider-Man is well and truly worth sticking in any collection. Meanwhile, some will just be happy to see Kirsten Dunst in her very much geek-talked about wet t-shirt scene. Hmm, what was that about sticky hands back there somewhere?
LINK: http://www.dvd.net.au/review.cgi?review_id=1953
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And I quote... |
"An amazingly packed two disc set - a fabulous two-hour thrill ride that should have everybody’s senses tingling..." - Amy Flower |
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Review Equipment |
- DVD Player:
Pioneer DV-535
- TV:
Sony 68cm
- Receiver:
Onkyo TX-DS494
- Speakers:
DB Dynamics Eclipse RBS662
- Centre Speaker:
DB Dynamics Eclipse ECC442
- Surrounds:
DB Dynamics Eclipse ECR042
- Subwoofer:
DTX Digital 4.8
- Audio Cables:
Standard RCA
- Video Cables:
Standard Component RCA
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