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Directed by |
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Starring |
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Specs |
- Widescreen 2.35:1
- 16:9 Enhanced
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Languages |
- English: Dolby Digital 5.1 Surround
- French: Dolby Digital 5.1 Surround
- Spanish: Dolby Digital Stereo
- German: Dolby Digital Stereo
- Italian: Dolby Digital Stereo
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Subtitles |
English, French, Spanish, German, Italian, Hebrew, Czech, Greek, Polish, Hungarian, Dutch, Arabic, Portuguese, Turkish, Icelandic, Danish, Swedish, Norwegian, Finnish, Hindi, Bulgarian |
Extras |
- 2 Theatrical trailer
- Audio commentary
- Featurette
- Music video
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Starman |
Columbia Pictures/Sony Pictures Home Entertainment .
R4 . COLOR . 110 mins .
PG . PAL |
Feature |
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Contract |
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The beauty of Starman, even almost 20 years on, is its simplicity. A lone alien surveying Earth from space crash lands near the home of a lonely widow and assumes the form of her dead husband. He then kidnaps the woman and forces her to drive him to Arizona, where he can rendezvous with his mothership and return home. On paper, the film sounds like hokey sci-fi rubbish. It's a good thing then Starman is really a love story. Even though there are enough elements of science fiction to keep fans happy, the themes of trust and sacrifice are ultimately what make this film such a satisfying piece of cinema.
It might have seemed an extremely strange departure for John Carpenter at the time, but those that truly respect his natural talent for filmmaking will tell you that Starman is the film he simply had to create. In many ways, it can even be viewed as the natural extension of the director's true personality. Even though up until this point Carpenter's films had mostly been the stuff of nightmares, it is clear from this film that the director has always had an almost overpowering sentimentality towards filmmaking. He just never wore it on his sleeve until now. Like E.T. before it, Starman's approach to the sci-fi genre still works because it is primarily grounded in realism, never straying into the farcical territory of ray guns (at least, not literal), lizard-skins and multi-tiered chompers. Instead, we simply get the tale of an alien just wanting to get home, but getting sidetracked by love along the way. Although the special effects still hold up alarmingly well to this day, it's the performances that really make Starman such a memorable and near timeless classic. Jeff Bridges' 'alien method' is entirely believable and still as effective as ever, while Karen Allen's sympathetic performance will make viewers realise that she has been criminally under-used over the last decade. John Carpenter's tasteful direction showcases a filmmaker at the peak of his artistry. Yet, even though he would never really return to similar material, it was clear that his broad range could have mastered just about anything. Of course, the fact that he would go on to make Big Trouble in Little China, one of the most treasured cult action/comedy films ever, certainly speaks far louder of his talent than words. Unfortunately, even though it was fairly successful at the time, Starman never broke any box-office records. But like the majority of Carpenter's films, it has gone on to become a truly treasured piece of cinema, especially within the sci-fi community, through the medium of home video.
Video |
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Thankfully, Starman has received a fairly royal treatment in the video restoration department. The transfer displays an extremely pleasing level of sharpness, especially considering the age of the film. Colour levels are also very well saturated along with delightful shadow detail and solid black levels. There are surprisingly few problems with aliasing and grain in general, however there are quite a few problems throughout the feature with film artefacts, mostly in the form of dirt and even the odd hair. This is to be expected, however, and doesn't detract greatly from the overall viewing experience.
Audio |
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The soundtrack for Starman has received an excellent remixing into Dolby Digital 5.1. Notable for being one of the few instances where Carpenter gave up the reins of composing to someone else, the ever memorable electronic score by Jack Nitzsche sounds wonderful remixed in this manner, and ought to be a big revelation for those who have only seen the film on VHS. Some extremely effective surround activity now gives the film an even greater atmosphere. Many will be pleasantly surprised that even though there isn't a great deal of action contained within the film, the directionality that appears from time to time is both precise and extremely effective. Quite a bit of subwoofer presence has been included as well, so those hoping for a bit of extra body in the soundtrack will also find this quite satisfying.
Extras |
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Contract |
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Overall |
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You want value in a DVD? Well the movie alone is worth the price tag here. However, not only is Starman an immediate entry into Columbia Tristar's budget range, it comes complete with beautifully remastered video and audio as well as a generous extras package.
LINK: http://www.dvd.net.au/review.cgi?review_id=2544
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And I quote... |
"Starman's approach to the sci-fi genre still works because it is primarily grounded in realism..." - Ben Pollock |
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Review Equipment |
- DVD Player:
Omni SL-P2000KD
- TV:
Palsonic 71cm
- Speakers:
Teac PLS-60 Home Theatre System
- Centre Speaker:
Teac PLS-60 Home Theatre System
- Surrounds:
Teac PLS-60 Home Theatre System
- Audio Cables:
Standard RCA
- Video Cables:
standard s-video
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Recent Reviews: |
by Ben Pollock Repo Man "Cult cinema has rarely been as strikingly memorable..."
Joe Somebody "Along with the superb audio and video transfers, it also helps matters that this remains one of Tim Allen's finer family/comedy performances."
Transformers - The Movie "...will truly make one wish they hadn't lost most of their figurines in sandpits and long grass."
Stealing Harvard "...if you're willing to completely switch off for 80 minutes, you should at least enjoy the nicer aspects of the story."
The Mummy - Search for the Scrolls "...if I had to have watched a cartoon like this as a child, I would have been ropeable."
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Related Links |
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