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  Directed by
  Starring
  Specs
  • Widescreen 2.35:1
  • 16:9 Enhanced
  • Dual Layer ( )
  Languages
  • English: Dolby Digital 5.1 Surround
  Subtitles
    English, English - Hearing Impaired
  Extras
  • Deleted scenes
  • Audio commentary
  • 4 Featurette
  • Photo gallery
  • Storyboards
  • 3 Alternate ending

Halloween 8 - Resurrection

Buena Vista/Buena Vista . R4 . COLOR . 85 mins . MA15+ . PAL

  Feature
Contract

“Okay people. We’re short on cash and need a little box office pickup in a hurry! What do we do? Any great ideas?”

“How about a love story starring Ben Affleck and J.Blo? We’ll call it ArseChin”.

“I know, I know, what about a war story set in Prague. But here’s the catch – it’s set in 2045 and it’s a war between humans and mutant cows! We’ll call it Saving Private Bovine!”

“C’mon people, I’m not paying you to sit around all day doing nothing but think up stupid film concepts!”

“Yes you are boss. It says so right here in my contract. '...As head of creative concepts, it is your responsibility to come up with stupid film concepts which the gullible movie going public will flock to see…'”

“…how about another sequel?”

“WHO SAID THAT?! You! Over in the corner! Who are you?”

“I’m the janitor, sir.”

“Okay toilet-boy, what did you say about a sequel?”

“Well, you see sir, if you want to make a few quick bucks from film and the follow up video and DVD markets, all you have to do is make another sequel. You’ve been doing it for years. You’ve already used and abused the Halloween story like a cheap hermaphrodite whore in a Bangkok brothel. Just make another. The fan-boys out there will snap it up quicker than you can say “Only fat nerds drink Jolt Cola”.”

“That’s a mighty smart idea you have there, poo-brush-pusher. Consider it done. Say, how would you like a real job?”

“I prefer cleaning up your shit, rather than making it or having to watch it, sir.”

...and so the possible discussion that went into the making of Halloween Resurrection went.

From there, they assembled a quality cast consisting of Busta Rhymes, Tyra Banks, Sean Patrick Thomas, Thomas Ian Nicolas and Bianca Kajlich, utilised the world's current obsession for voyeuristic reality television, mixed in the Internet craze, brushed off the William Shatner mask and a steak knife and made a film.

Hang on, that last bit should have read “...and made a shit film.” There, that’s better. Let us look more closely at the film...

Busta Rhymes? Who is Busta Rhymes? What is he doing in this film? And why does he talk with his eyes closed? I also couldn’t stand the way he speaks. He twists his face into a grimace with every word spoken. However, I might see if I can change my name to Busta Vince. That would look cool on my licence.

Tyra Banks. Man, what a babe. The stuff of adolescent (and adult) fantasies. A perfect example of the unobtainable female form. But, and I mean this in the nicest possible way, that won’t ruin my chances of ever sleeping with her, she can’t act for shit. In one scene, she makes a cappuccino and does all these elaborate little dance-type moves, and it is so bad I wanted to cry. Mind you, I also wanted to pour the cappuccino over her body and then lick it off, but I still thought she sucked eggs.

The rest of the cast. Lame. All sexy young girls and guys to appeal to the right market. I think that market is the “Hi, I’m 14 and stupid and have no clue” market. The potential for a bit of nudity couldn’t save them. This is not one they’ll be adding to their resume when applying for work at Starbucks. I think I recognised two of them - the one I wanted to take off her top didn’t and the one I didn’t want to take off her top did. What kind of cruel world is this we’re living in?

Jamie Lee Curtis. She only features for a few minutes at the beginning. She deserves better. Still, it’ll take a lot worse for her to tarnish my fond memory of her striptease in True Lies.

Michael Myers. Why not just call him Satan? I mean, the f*cker is evil and simply will not die. Oh, and just in case you’re new to Halloween, or indeed Hollywood in general, here’s a spoiler for you: he doesn’t die in this film either. Oh, you think I spoiled it for you now? Loser. What did you think was gonna happen? If you want to kill him, you have to trap him in a really big blender, say, big enough to puree an elephant. Then you have to liquify the bastard, then strap the remains to a nuclear device and detonate it somewhere out in space. But, knowing Hollywood, they’ll figure out a way for the fallout to rain down on the Earth, and have his evilness infecting some plants, which come to life and begin stalking stupid teenagers who have been locked in a scary plant nursery overnight. See, you can’t win. Those Hollywood bastards are always one step ahead.

The story. Well, a reality entertainment based company recruit a bunch of stupid kids with no redeeming features to spend Halloween night in the childhood home of Michael Myers. They have headcams and mics attached to them, so that the event can be broadcast live over the Internet. But they didn’t plan on Michael Myers coming home, did they? Knife goes swoosh, blood goes splat, kids go dead.

And Vince goes zzzzzzzzzzzzzzzzzz…

  Video
Contract

And Vincent spoke from the mountain top in a deep booming voice which could be heard across the countryside “Upon the viewing of Halloween Resurrection, I do hereby invoke Vincent’s Law of Inverse Crappiness!” And so it was boomed and so it was done.

Such a lovely picture for such an unlovely film. It positively shines as a quality act for the majority of its thankfully brief stay on our screens. The locations and sets are all wonderfully detailed and presented in a sharp looking 2.35:1 aspect ratio, with the par for the course 16:9 enhancement. Colours, when there are colours other than black and red on screen, are very nice, looking believable and natural. The picture plays with a mix of filmed elements and footage taken for the webcast, which is grainy, dark, noisy and softer, but the mix works well even if the concept doesn’t. You’ve seen it all before, with Aliens and The Blair Witch Project doing it better, but for the right market this will look a treat if they like the film.

  Audio
Contract

Other than the story, this is what gave me the irrits the most. First up, it does sound very good. It’s a Dolby Digital 5.1 mix at 448kbps, and maybe those extras few kbps help it out a little. It utilises the channels to fill the corners of your abode with noises, ambience and effects so that you can say “Hey, a dog barked in the back right hand corner of my room.” Yes, it’s a lovely effect, and it fooled my 15-month old son, who barked back, but that’s not my gripe. No, my gripe has to do with the sound often falling into the “lazy-scare” routine. You know, it will get really loud and try to frighten and deafen you at the same time when it wants a quick scary bit. And the bits aren’t even scary, anyway. It’s just plain lazy filmmaking. It’s not funny anymore to try to scare someone by showing a horrible deformed face onscreen suddenly coming at you with a knife and with loud sound effects playing, only to reveal that it’s someone wearing a mask at a Halloween party. Smarten up your act, Hollywood, or I’ll throw you out on your arse.

  Extras
Contract

Lots and lots of goodies to peruse and file away under “Things to waste my time doing”.

Commentary – Director Rick Rosenthal and editor Robert Ferretti
A so-so listen, the most interesting revelation is how they think the actor playing Michael had a more menacing physicality than that of the previous Michael. I'm not sure how, he’s a big guy in a mask and jacket. It must have been the way he hunched his shoulders or something. They at least manage not to take themselves too seriously at times, which takes the edge off the more self-congratulatory moments.

Photo Gallery
74 various shots of production, stills, portraits, poses etc. Have a flick through, move along.

Six Deleted Scenes +/- Director's Commentary (7:33)
Some redundant scenes, some extensions of existing scenes and one notable scene showing Michael arriving at the house in a stolen car, which kind of takes away from the mystique of Michael when you realise he still needs wheels to get around like us average non-knife wielding sickos. I always pictured him kind of materialising on the scene or maybe arriving in a ghostly horsedrawn cart, but the horses are actually the naked mutilated ghosts of his victims, and the cart is made of the bones, and his whip is human entrails still dripping blood. Beats arriving in a car, don’t you think?

Three Alternate Endings +/- Directors Commentary
Three possible alternate endings, none of them any good and setting up the one used in the film as the best choice by far, even if you can see it coming from about six miles away.

Web Cam Special +/- Directors Commentary (41:19)
Hmm, a good idea I guess, and something that shows a bit of thought when assembling these extras. This is the entire webcam broadcast used in the film, shot from the cast's point of view. They hope to bring this out as a separate DVD one day where you can choose the story based upon the camera you wish to watch. Whether or not it will even happen, it’s a good idea. Frankly, some of this feature works better than the final movie.

Tour of the Set with the Production Designer (6:54)
The set in this case is basically just the recreated house that the cast go merrily wandering through before being cut to shreds. God bless this house!

On the Set with Jamie Lee Curtis (4:06)
Everyone has nice things to say about Jamie and her character as we watch her shooting some of her scenes. Jamie is looking old these days - she isn’t a little girl running from Michael anymore, Jamie is all woman now.

Head Cam Featurette (4:13)
A brief look at the idea of getting your footage by attaching a mini-camera to an actor's head and letting them run amok within the confines of the house. That they think it’s all so revolutionary is a little silly.

Storyboard Comparison (4:01)
Using the Angle function, you can view five scene to storyboard comparisons. The angles rotate through viewing the comparison side-by-side, just the final film, or just the storyboard.

  Overall  
Contract

You may get the impression that this film didn’t impress me a whole lot. You’d be correct. However, the DVD is quite good. It’s shiny, round and thin. Hold it up to the light and it makes all these nice colours on the surface. The contents are even nicer. The picture and sound quality are excellent and will look and sound great on your gear, and the bonus material is fairly good considering what a dog the film is. If you’re a bit more tolerant than I am, then you’ll be happy with this.


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      And I quote...
    "He’s baaaaaaaaaaaaaaaack. Again. But this time, I’m certain about it, for the last time. Maybe. Okay. Probably not."
    - Vince Carrozza
      Review Equipment
    • DVD Player:
          Sony DVP-525
    • TV:
          Sony 68cm
    • Receiver:
          Sony STR-DB1070
    • Speakers:
          Wharfedale s500
    • Centre Speaker:
          Polk Audio CS245
    • Surrounds:
          Wharfedale WH-2
    • Subwoofer:
          DB Dynamics TITAN
    • Audio Cables:
          Standard Optical
    • Video Cables:
          standard s-video
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