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Specs |
- Widescreen 2.35:1
- 16:9 Enhanced
- Dual Layer (RSDL )
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Languages |
- English: Dolby Digital 5.1 Surround
- French: Dolby Digital 5.1 Surround
- Italian: Dolby Digital 5.1 Surround
- Hungarian: Dolby Digital Stereo
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Subtitles |
English, Greek, Polish, Dutch, Portuguese, English - Hearing Impaired, Danish, Swedish, Norwegian |
Extras |
- 2 Theatrical trailer
- Audio commentary - Director Martin Campbell and producer Michael G.Wilson
- Featurette
- Animated menus
- Music video - Goldeneye - Tina Turner
- 12 TV spot
- Booklet
- Awards/Nominations
- Documentaries - The World of 007
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Goldeneye - Special Edition |
MGM/20th Century Fox .
R4 . COLOR . 125 mins .
M . PAL |
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This James Bond guy, just why does he keep looking different all the time? I know six years had passed since the last instalment in his adventures (Licence to Kill), but still. Well, being the curious little Alice-like thing that I am I thought it high time that somebody made an attempt to get to the bottom of this mystery, so after much covert hacking about in the files of MI6 I have finally discovered the answer for you all. You see, apparently Q was not merely a highly skilled techno-boffin; he was also rather adroit with the old plastic surgeon’s knife. Now I think perhaps it's prudent for me to go into hiding, but before I do it's on with the seventeenth instalment from the 007 files... James Bond: That chap who could easily pass himself off as Mr Sheffield in The Nanny. Main love interest: Super-duper cool nerd grrl Natalya Simonova (Izabella Scorupco). Ancillary love interests to help maintain 007's sex god status: A psychologist (Caroline, I believe), and Xenia Onatopp (sort of – however more on her shortly...) Evil baddie hell bent on massive fiscal gain (and revenge, of course): Leader of Russian crime syndicate Janus, Alec Trevalyan (Sean Bean) - somebody James used to number amongst his close friends... Baddie's henchmen: The gloriously over-the-top Xenia Onatopp (Famke Janssen) – humph, why can’t I be more like her?, Colonel Ouroumof (Gottfried John - looking for all the world like a Thunderbirds puppet that underwent a Pinocchio-type metamorphosis), hyper-nerd Boris Grishenko (Alan Cumming – a rather appropriately Bond name when you think about it), plus the usual assortment of nameless guys with their uniforms and big pointy-shooty things. Theme: Goldeneye by Tina Turner, and written by U2’s Bono and The Edge. Exotic locations: Russia, Monte Carlo (not the bickie silly, the place!), the Caribbean, Cuba, England (why of course my dear fellows.) Modes of transportation: Conveyor belt, Pilatus Porter airplane (never let it be said I don’t watch all the extra bits!), motorcycle, Aston Martin (swoon!), BMW Z3 convertible (there will be no complaints if anybody wants to give me one of these either – one in that yummy metallic dark green would be just perfect, ta!), Boeing 757, a funky little blue bubble car thingy, some sort of generic looking Russian sedan, helicopter ejector capsule, parachute, tank (yes, a big, metal, caterpillar-track equipped lump with a gun on it), some sort of Cessna-esque light plane, an army troopship helicopter thing, train (well, sort of…) that looks like it was inspired by the Easter Island statues. Blatant product placement: Ferrari, Bollinger, British Airways, Perrier, BMW, IBM. Plot summary: Some naughty folk have Hong Kong Phooeyed the two real pilots, taken their place and stolen the new super-stealthy Tiger helicopter from a demonstration in France. Now who are they, who are they working for and what nefarious deeds do they intend to do with it? Well, it just may tie in to the theft of a Russian satellite-based missile system named Goldeneye from a weapons bunker in Russia, a device capable of sending out a finely targeted electro-magnetic pulse that wipes out all electronic equipment within a certain radius (yes little Billy, I'm afraid that even your Gameboy will be toast). Our man Bond must find out who has pinched it, and more importantly stop them before they get the opportunity to use it to zap the stuffing out of (gulp) his beloved hometown of London. In other words it’s basically the same old plot stuck in a blender - this is of course exactly what we want in a Bond film. "I enjoy a spirited ride as much as the next girl..." |
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It's a latter day Bond flick, so mercifully we're spared the attack of the killer measles that most of the earlier instalments suffered from. This isn’t to say that it's speckle free, but the few that pop up are scarcely major distractions for a change. Besides, look at the rest of the print and you can’t help but be impressed. We're treated to near perfect black levels and contrast, and the colour is rendered beautifully - from the gaudiness of the inevitable casino scene, to the bleakness of the Russian winter, all comes up looking like it should. As is expected it comes to us 16x9 enhanced, and in the original (and glorious) cinematic ratio of 2.35:1. The Bond DVDs are renowned for their usually dodgy layer changes, this one isn’t perfect, but is one of the better examples available, with a quick break in the sound being the only real giveaway of its presence. The only cause for a stroppy hissy fit here is the same as with Tomorrow Never Dies, the natty subtitles from the original film have been erased in favour of using the plonky old built-in ones of the player. This is absolutely unforgivable (and just plain lazy) as far as I am concerned, and once again I have deducted points from my ratings for it.
Audio |
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Well, they say nobody does it better, and when it comes to the sonic assault of a Bond DVD it is a very apt saying indeed. Divulging its roots as being the European release, rather than that from the UK, we are given a choice of languages in Dolby 5.1 of English, Italian and French - plus there's even Hungarian (in Dolby 2.0 Stereo) if you’re feeling lingually adventurous. This information is not credited on the packaging. Anybody getting their mitts on a 007 DVD expects the myriad of booms and bangs to sound incredible, and believe me they do. If you want an example disc to show off your speaker system to somebody with, then Goldeneye would be a fantastic one to have those jaws a dropping and dribble a dribbling. There's nothing to complain about here at all really. Synching is fine, and the only troubles with dialogue you may have are some of the bodgy Russian accents we're subjected to from a cast that includes absolutely nobody from anywhere resembling a place with iron curtains - although Dutch-born Famke makes a reasonable fist of it (not that I'm biased at all...) Speaking of bodgy Russian accents, the soundtrack is so merciless as to include a certain Minnie Driver caterwauling Stand By Your Man in a rather thick one. Elsewhere, the main soundtrack stuff is done by Eric Serra. He's no John Barry, or indeed no David Arnold for that matter, but he has come up with a more than serviceable Bondy vibe, which whilst often rather predictable, never grates (unlike the previous instalment in the series). The theme is belted out by Tina Turner (pause to marvel at this incredible woman), and as mentioned earlier was written by Bono and The Edge of U2. To be honest I still find it a little bit drab as far as Bond themes go, lacking the bombastic excitement of what I consider the utter classics, however I know there are just as many who rate this one highly, so I'll let you be the judge.
Extras |
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Overall |
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Neophytes may argue that if you've seen one Bond adventure you've seen them all, however anybody that's even a little clued up will know that this simply isn’t the case. Sure there are many staples that we have come to expect - the car chases (and big "yay!"s as there's a spectacular one here within the first fifteen minutes), the cornball lines, the spectacular stunts and locations, the babes, the baddies etc - however the execution of such staples, along with their surrounding plots, has been known to vary greatly throughout the history of the franchise between being at times absolutely scintillating and at others utterly stupefying. There was a lot riding on Goldeneye. Due to contractual bunkum 007 had been on ice for six years, after Timothy Dalton's limited tenure they were faced with introducing a new Bond (not to mention a new M and new Moneypenny - oh, too late!), they had essentially run out of Ian Fleming stories to work from ('Goldeneye' was in fact the name of the author's Jamaican home) and also had to deal with changes in the way of the world, especially in light of political correctness continuing to stick out its ugly head and the thawing of the Cold War. The great news is that they came up with an absolute winner here. Whilst probably just behind Tomorrow Never Dies in the excitement stakes, a combination of all the hallmarks of an absolute classic Bond film are included here in spades, from an ever-so-nasty baddie with a twist, to the utterly fabulous gusto of Xenia Onatopp, who surely must be one of the greatest villainesses in the history of Bond movies, if not film itself. And to not mention Pierce Brosnan would be a crime, as he has become probably the quintessential Bond after Sean Connery (apparently it was the late, great Desmond Llewellyn (Q)'s opinion that he was indeed the best), it's just a shame that episode twenty is apparently going to be his fourth and last. And if whispers that Barbara Broccoli is seriously interested in pop-boy Robbie Williams (ex of Take That) then we may not see past a 21st instalment... The Goldeneye disc is near faultless, save for the video quibbles I mentioned previously. Hence this serves as another of the better Bond DVDs available, be you a drooling fan-thing, or simply somebody out for a rollicking fairground ride-like cinematic experience. Anybody wishing to have a fantastic sound system show-off disc would also be well advised to check this out. Fans and collectors should also be delighted to know that unlike the first local release of Goldeneye, this is most definitely the completely uncut version. Now if only they would make amends for the travesty that is the re-release of Tomorrow Never Dies... Oh, and for all Bond's reputation for rampant misogyny (even gleefully alluded to by M here), as with other recent 007 outings it’s a chick that plays a vital role in the success of James' mission. Heehee, I've said it before and I'll say it again, praise be for nerd grrls!
LINK: http://www.dvd.net.au/review.cgi?review_id=522
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And I quote... |
"An utterly winning 007 adventure - a combination of all the hallmarks of an absolute classic Bond film are included here in spades..." - Amy Flower |
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Review Equipment |
- DVD Player:
Pioneer DV-535
- TV:
Sony 68cm
- Speakers:
Home Built
- Surrounds:
No Name
- Audio Cables:
Standard RCA
- Video Cables:
Standard Component RCA
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