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  Directed by
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  Specs
  • Widescreen 2.35:1
  • 16:9 Enhanced
  • Dual Layer ( )
  Languages
  • English: Dolby Digital 5.1 Surround
  Subtitles
    English, French, Spanish, German, Italian, Dutch, Portuguese
  Extras
  • 2 Teaser trailer
Sunset
Paramount/Sony Pictures Home Entertainment . R4 . COLOR . 103 mins . MA15+ . PAL

  Feature
Contract

The facts are these. Cowboy Tom Mix left the range to become one of the most popular silent-screen stars ever, second only to the legendary William S. Hart.

Fact two. In the 1920s, Hollywood really did entice legendary 19th century Marshall Wyatt Earp to visit tinsel-town, where he acted as a technical consultant to the fledgling movie industry.

Those are the facts. But facts, as this movie mentions more than once, are best embellished with one or two lies.

And this lie is a pretty entertaining one. In this movie, the young Tom Mix (Bruce Willis, in a role shot in the same year he made the far more memorable Die Hard) becomes a firm friend of the ageing but still laconically attractive Wyatt Earp (James Garner).

Such firm friends in fact that together they face down the law and the assembled forces of Hollywood corruption, and solve a particularly nasty murder-mystery which involves vice, sadism and potential blackmail. And after all, when Tom Mix and Wyatt Earp combine to solve a murder, what hope do the men in the big black hats have?

Willis and Garner make a good team, with Garner easily stealing most scenes - though Malcolm McDowell as arch-fiend film producer and studio-head Alfie Alperin makes a particularly good fist of his role.

It's part comedy, part drama, with the pedestrian director Blake Edwards fairly mundane as usual, and never quite seeming to decide just what he's directing. It's very slight, but is quite pleasing in a very non-demanding way.

As for the title, it doesn't refer to Wyatt Earp's age at all -- James Garner still seems pretty fit for someone with Wyatt Earp's history. I think it's a gag about the traditional ending of silent cinema westerns, where the hero usually rode off alone into the sunset. In this movie, so does Wyatt - but using a train instead of a horse.

  Video
  Audio
  Extras
Contract

This is a pretty decent anamorphic widescreen transfer, with no obvious damage. The soundtrack has good overall depth and presence, with very marked stereo effects.

There are no extras to speak of, save for two widescreen trailers, for Silverado and Buck and the Preacher.


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  •   And I quote...
    "When Tom Mix and Wyatt Earp team up to solve a particularly nasty murder, what hope do the men in the big black hats have?"
    - Anthony Clarke
      Review Equipment
    • DVD Player:
          Pioneer DVD 655A
    • TV:
          Loewe Profil Plus 3272 68cm
    • Receiver:
          Denon AVR-3801
    • Speakers:
          Neat Acoustics PETITE
    • Centre Speaker:
          Neat Acoustics PETITE
    • Surrounds:
          Celestian (50W)
    • Subwoofer:
          B&W ASW-500
      Recent Reviews:
    by Anthony Clarke

    A Fistful of Dollars (Sony)
    "An essential Spaghetti-Western, given deluxe treatment by MGM."

    Stripes
    "Falls short of being a classic, but it gives us Bill Murray, so it just has to be seen."

    Creature Comforts - Series 1: Vol. 2
    "Delicious comic idea given the right-royal Aardman treatment. "

    The General (Buster Keaton)
    "Forget that this is a silent movie. This 1927 classic has more expression, movement and sheer beauty (along with its comedy) than 99 per cent of films made today."

    Dr Who - Claws Of Axos
    "Is it Worzel Gummidge? No, it's Jon Pertwee in his other great television role, as the good Doctor battling all kinds of evil on our behalf."

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